The idea that the woman at home is nothing but ‘of the home’ was contested by reference to travel artifacts in the home; through furnishings as redolent of places far away – as in drapes and couches, wall hangings and bedding; by use o f cooking utensils such as the wok and bain-marie; so, too, styles of cooking and kitchen, breads and beverages. The challenge of the exotic nature of what is so often classed as ‘domestic’, together with the concept of the window as a ‘window to the world’ whilst also being a window into the world, affirmed both the vitality and the importance of seeing anew.